I told Terry that I wanted Adrenaline to sound like that, so you could turn it up real loud. “When I was a kid, the first Metal Church album really made an impression on me,” Stef tells us. For Around The Fur, he convinced them to let him take a different approach, and Deftones’ distinctive low-down tone was born. On Adrenaline, they’d pushed him to recreate the sounds of his previous work. When it was time to record, Deftones once again headed to Studio Litho in Seattle, WA, to work with Pantera, Soundgarden and White Zombie producer Terry Date. We had made this record and we knew we could better it we had this chance to make a sophomore effort and prove to people that we were the best new thing, which I believed we were, and I think you hear that on the album.” Looking back at it now, it was kind of like the time of our lives. So we’d hang out at our studio all the time, skate for a bit, then write some music. “And we were all big into the skate scene. “We were in this rehearsal room that had a skate ramp,” laughs Chino. Deftones (clockwise from right): Chino Moreno, Chi Cheng, Frank Delgado, Abe Cunningham, Stephen Carpenter
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